Return To Collection Fire making tools hiuchi-bukuro and hiuchi-bako. Further, even earlier the hiuchi-bukuro may have been at least partially replaced, as discussed above, by the bottom compartment of a two case tonkotsu or the side pocket of a tabako-ire. A more novel fire making tool dating to as early as the 17th century was a mechanical netsuke in the form of a miniature but fully working flintlock gun mechanism inside a walnut shaped metal shell. These are known as hiuchi-bako. While intriguing the hiuchi-bako seems never to have attained significant use and certainly all but disappeared by the 19th century. Remarkably though, while seldom found, when found these hiuchi-bako are often still in working condition which perhaps speaks to the novelty as opposed to the utility of the piece. The netsuke the ‘u’ is silent was the toggle of the smoking ensemble and other sagemono that kept it from slipping loose from the obi.
2 Japanese Netsuke
Scriptures and Texts Purification: First the left and then the right hand is rinsed with water at the purification font, then the mouth is rinsed with water from the left hand. Sometimes, in the shrine compound, there will be a fire burning, and people will waft the smoke over their heads reportedly to catch the blessings of the deity or to burn away impurities.
Some Japanese still practice the old tradition of sprinkling water at the gate of their home in the morning and evening to purify the family environs. In addition, purification ceremonies precede the commencement of all important events and functions in Japan.
· netsuke and sagemono lounge: Disclaimer – Please click anywhere on this bar to expand/contract the content. Board Disclaimer The views and comments posted in these fora are personal and do not necessarily represent the those of the Management of netsuke ?t=
Share For diminutive objects, Japanese netsuke are an enormous subject, as this interview with Christine Drosse so amply shows. The containers hung by a cord that was attached to a small carving which was slipped underneath the kimono sash at the hip. This carving was called a netsuke and its mass would prevent the cord of the hanging container from slipping out from beneath the sash.
Initially, the container cords were tied to small readily available items such as pieces of wood, root, coral, or shell. Such were the origins of netsuke in Japan. Gradually these small functional toggles developed into what most of us know today as netsuke. Netsuke were used by men. In such a container one could hold medicine or a seal and ink.
Most of the carving, however, was reserved for netsuke and the small sliding bead called an ojime. An ojime was another functional part of the ensemble. A wooden horse from the early s, carved by Kano Tomokazu, has inlaid eyes. At that time, netsuke were very inexpensive and easy to come by in Japan. Bushell began his collection while living there and over the course of the next few decades amassed a collection that must have numbered over a thousand.
The oldest netsuke in the collection are probably from the early 18th century, maybe the late 17th.
What is a Netsuke?
An amalgamation of Buddhist, Taoist, Hinduism and Shinto saints which became an integral part of the folklore of Japanese, the Gods were grouped around 17th century as Seven Lucky Gods. As per the traditional representation of the legend as found in historical documents, the Seven Lucky Gods travel in a ship, Takarabune which was filled with precious gems and treasures, coming up from the sea, spreading happiness and good fortune to everyone.
It is considered that if you put a picture of Shichi Fukujin under your pillow at night on 31st December for a better fortune in the New Year. Laughing Buddha or Hotei is the God of Happiness and is known to be generous with gifts for people as is known as Japanese Santa. While Jyuroujin God of Longevity is represented as old man with staff and has a few animals accompanying him. Fukurokujuzin God of happiness, wealth and longevity is a vagabond and philosopher who survive without eating.
OBJECT// Antique Japanese very fine netsuke of a child in spring kimono playing with a Drum, the piece is fine in intricate little details, beautiful piece, the boxwood with a good rich patina, signed Tomoyuki, the design forming a good compact Netsuke. Dating from the 19th century, Meiji › Antiques › Asian Antiques › Japan › Netsuke.
However, most antique figurines date from the Edo and Meiji periods, and are made of wood, ivory, bronze or porcelain. Netsuke were small wood or ivory figurines, worn on cords from a person’s obi sash. Okimono figurines, made of wood, ivory or bronze, were displayed in an alcove tokonoma in the family house; they were produced mainly during the 19th century. Porcelain figurines have been made since the 17th century, and often depict geisha, or gods and goddesses.
Examine the figurine to see what it represents: Note the material that it is made of. Measure the height of the piece. A very small wood or ivory piece might be a netsuke; if it is, it will have two holes through which a sash cord could be passed. A larger ivory, wood or bronze piece is likely to be an okimono.
What makes this project and exhibit unique is that the work and research culminating with the exhibit has literally re-written history. Plain redware it is not. Due to the combined efforts between ceramic experts, potters, historians, archeologists, and chemists, this pottery from the Piedmont area has unquestionably been identified, dated and attributed, even reattributed in some instances. Moravian pottery has been appreciated for many years due to its originality, beauty and form, but now we know that some of this previously attributed Moravian pottery was actually made by German immigrants who lived and worked in other areas of North Carolina, particularly in the St.
And this is not plain, glazed pottery, but beautifully decorated and brightly colored pottery. There are not only plates and mugs, but these really cool lidded storage containers that we now know are sugar bowls, animal forms and flasks.
What are Japanese netsuke made of? Antique netsukes are made of animal materials like bones and teeth, mainly from cattle, and coral. Even animal ivory was taken from the tusks of elephants, walruses, and mammoths to be used in the creation of these small, purse-like › eBay › Antiques › Asian Antiques › Japanese Antiques.
It’s not everyday that you long to hold a pouch of baby rats. But when they are Japanese netsuke, the urge to wrap your fingers around these ivory carvings may be irresistible. Netsuke pronounced netsookeh originally were used as toggles made to secure pouches to kimono sashes. Dating to the 16th Century, netsukes were plain in design and shape, carved in round, square or oblong forms with little or no detail. People became interested in collecting them in the 19th Century, and this encouraged Japanese netsuke carvers netsuke-shi to elevate this clothing accessory to an art form, with some carvers making symbolic pieces or ones that appeared to be one figure but featured another when viewed from another angle.
The intricate detailing is especially impressive because of netsuke’s size: They average 1 to 3 inches high.
Antique Buddha statues in our collection have served as objects of contemplation, meditation and worship in temples and home shrines over several centuries in many parts of the world. A great range of imagery proliferated as Buddhism infused the spiritual consciousness of the East. A Chinese Buddha can express fecundity and earthy humor, a Thai Buddha is formal and reserved, a Tibetan Buddha may be especially horrific in depicting wrathful deities. The beauty of these works and their power to aid mindfulness is in the unique character of each piece, experienced as a personal connection.
Though netsuke is a tiny object (usually one to two inches high), studying them enables collectors to imagine how artists put heart and soul into carving. A Japanese antiques dealer tells the story of carver Tomokazu, who made animal ://
Board Disclaimer The views and comments posted in these fora are personal and do not necessarily represent the those of the Management of netsuke and sagemono lounge. The Management of netsuke and sagemono lounge does not, under any circumstances whatsoever, accept any responsibility for any advice, or recommentations, made by, or implied by, any member or guest vistor of netsuke and sagemono lounge that results in any loss whatsoever in any manner to a member of netsuke and sagemono lounge, or to any other person.
Furthermore, the Management of netsuke and sagemono lounge is not, and cannot be, responsible for the content of any other Internet site s that have been linked to from netsuke and sagemono lounge. Opposes trafficking, trade or commerce of illegal ivory, horn or any other illegal material. Ownership of Public Content The netsuke and sagemono lounge success is directly related to the content shared by its members. The members retain full control and ownership of their content. Reproducing content elsewhere, without the express permission of the member, is prohibited.
Toyomasa, roku-ju yon sei “Toyomasa, sixty-four years old”. The Metropolitan Museum of Art. Bequest of Stephen Whitney Phoenix, Toyomasa Naito of Tamba Province was an artist who achieved an extraordinary synthesis between the spontaneity of the eighteenth century and the realism of the nineteenth century.
netsuke and sagemono lounge: Disclaimer – Please click anywhere on this bar to expand/contract the content. Board Disclaimer The views and comments posted in these fora are personal and do not necessarily represent the those of the Management of netsuke and sagemono ?t=
I have, so far, been unable to locate any substantial information on the actual construction techniques involved. I would like to learn from the ground up, using the precise, sophisticated Japanese techniques of the past. I am not in a position to travel to Japan, nor do I speak Japanese. Please join to the local chapter of Netsuke Society. You can meet many netsuke artists at INS convention. I am at a loss as to how my joining a local Netsuke organization would get me any closer to my goal.
My primary interest is learning to create Inro utilizing the precise Japanese methods. You can visit http: When you use search engine, use key words like dento kogei Traditional craft making and ningen kokuho living treasure instead of inro. I was browsing the web on Netsuke and discovered your information in the International Netsuke Society’s listing.
I am re-entering the hobby of collecting Netsuke. I am looking for individuals that know about netsuke, and have access to them in the Bay Area. I would appreciate having a mentor, or someone that can assist me in finding more about them. Please join to the local chapter of Netsuke Society Q:
Plastic and pictorial iconography—painting, sculpture, mosaic—also offer abundant testimony to the jewelry worn in various eras. It is probable that prehistoric humans thought of decorating the body before they thought of making use of anything that could suggest clothing. Before precious metals were discovered, people who lived along the seashore decorated themselves with a great variety of shells, fishbones, fish teeth, and coloured pebbles.
People who lived inland used as ornaments materials from the animals they had killed for food:
· Adam Bland is a contemporary Netsuke Artist who has studied the craft of Netsuke for the past 5 years and has a qualified background in Fine Art and design dating back over a decade. He is continually seeking to develop his knowledge and skills of Japanese craft in order to make beautiful objects for others to ://
The Zentner Collection offers the largest collection of Japanese Tansu in the World, outside of Japan, as well as one of the largest fine Asian art collection in the country. Store Hours Wednesday – Saturday 11am – 5pm Tuesday: By Appointment 11am – 5pm Phone: All pieces are either directly imported from the country of origin, purchased from estates, or consigned from select collections. Japanese antique include tansu, Imari, netsuke, ikebana baskets, mingei items, Japanese scrolls, screens, prints and framed art.
Under Chinese antiques you will find Chinese hardwood furniture, Chinese scrolls, porcelain and pottery pieces dating from Song, Ming and Qing dynasty, coromandel screens, jade, snuff bottles and neolithic period bronzes and pottery pieces. In addition we have a large selection of Korean furniture, Koryo and Silla Dynasty pottery, Korean screens and art along with Southeast Asian and Himalayan religious statues and Middle Eastern rugs.
The list goes on and on. All the pieces shown online are viewable in person in our store. We can ship to most points in the world. We provide in-house professional packing at a very reasonable cost. California purchases are subject to State Sales Tax.
Vintage view: How to identify real elephant Ivory
Sex in the City: This show runs in conjunction with the new publication from Hotei Publishing, Japanese erotic prints: Many of the prints featured in this book will be on view as part of this exhibition, as well as works by additional artists. Netsuke as Art September 20 – October 20, This fall Scholten Japanese Art will be holding an exhibition of important Japanese netsuke from private collections.
Not only will this be the first major exhibition of this art form to ever be held in a New York gallery, it will also be the first major selling exhibition ever to be held within the continental U. A fully illustrated color catalogue of over netsuke is available to accompany the exhibition.
· A high quality Japanese Netsuke in the form of Fukurokuju, god of longevity, dating to the 18th. century. As typical for the earlier Netsukes, the artist made Fukurokuju twist his head all the way back, since there was not enough ://
So when I learnt of a hotly praised new restaurant in York bearing the same name, I assumed it was going to be some sort of theme place where the waiters all had bandy legs and wore anoraks indoors, and addressed you mockingly as Our Kid, to a soundtrack of spiralling Sixties-influenced grooves. So Skosh is not as badly mangled as all that, maybe. It warns you that some sort of small plates policy may be in effect; and it hints that Oriental precision will be coupled with Northern passion and energy and wit to create something new and delicious.
Both turn out to be true. We were seated on high stools at a steel bar looking back into the kitchen; there are plenty of normal tables in the main body of the restaurant, but these were all booked out. Decor is generically on trend — a dying-wasp colour scheme, abstract art, Scandi modern chairs etc. Our server quickly won our hearts by suggesting a logical and almost — dare one say it — course-like order in which to bring our food Our server quickly won our hearts by suggesting a logical and almost — dare one say it — course-like order in which to bring our dishes:
10th Anniversary Year
How to identify real elephant Ivory Saturday, February 07, By Kya deLongchamps Kya deLongchamps advises on how to identify real ivory, and when to avoid it like the plague. Despite its silken, tactile beauty, elephant ivory is one of those subjects that elicits an instant reaction from most people. A blink, a shudder, a twist of deep repellence — these feelings are well founded.
Last year, and for the first time, a top London auction house, Chiswick, was prosecuted for the sale in genuine error of a piece of elephant tusk dating from the s.
The International Netsuke Society and its directors and officers make no representations, statements and/or warranties regarding the accuracy of any advertising or the reliability of any individual or entity whose listing appears ://
Welcome to the Gotheborg. The field of Asian Ceramics collecting is a challenging one. Not the least due to the large number of terms of various origins, problem compounded by a variety of spellings and transcriptions. Many terms in particular regarding porcelain exported to the west are made up by collectors and dealers over the last century, and are not recognized or even understood in China. When possible I have tried to address this by cross referencing both terms and explain where the understanding differ.
Names, meanings and categories also change depending on new discoveries, which might not be as helpful as it might seem. Too myopic classifications might just complicate matters. Here I try to go back to the roots and explain why an older but somewhat incorrect name might still be more helpful than a modern but archaeologically correct name. Many names and terms that are Chinese in origin have been transcribed in western characters. In old books this was often done by a system called Wade-Giles Peking, Ching-te-chen, Chien-lung , while all modern books today use a system called Pinjin Beijing, Jingdezhen, Qianlong.
Naturally this causes some confusion.